| Are These Our Children? (1931) | Max Steiner | composer | | [none] |
| Traveling Husbands (1931) | Max Steiner | composer | | [none] |
| The Public Defender (1931) | Max Steiner | composer | | [none] |
| Transgression (1931) | Max Steiner | composer | | [none] |
| Girl of the Rio (1932) | Max Steiner | composer | | [none] |
| Hell’s Highway (1932) | Clarence Muse | composer | | [none] |
| Hell’s Highway (1932) | Max Steiner | composer | | [none] |
| Hold ‘Em Jail (1932) | Max Steiner | stock music composer | | [none] |
| Is My Face Red? (1932) | Max Steiner | composer | | [none] |
| Men of America (1932) | Max Steiner | composer | | [none] |
| Secrets of the French Police (1932) | Max Steiner | composer | | [none] |
| State’s Attorney (1932) | Max Steiner | composer | | [none] |
| The Phantom of Crestwood (1932) | Max Steiner | stock music composer | | [none] |
| The Phantom of Crestwood (1932) | Roy Webb | stock music composer | | [none] |
| The Roadhouse Murder (1932) | Max Steiner | composer | | [none] |
| Thirteen Women (1932) | Max Steiner | composer | | [none] |
| Before Dawn (1933) | Max Steiner | composer | | [none] |
| Blind Adventure (1933) | Roy Webb | composer | | [none] |
| Blind Adventure (1933) | Max Steiner | composer | | [none] |
| Emergency Call (1933) | Roy Webb | composer | | [none] |
| Headline Shooter (1933) | Roy Webb | composer | | [none] |
| Headline Shooter (1933) | Max Steiner | composer | | [none] |
| The Life of Vergie Winters (1934) | Max Steiner | composer | | [none] |
| Dangerous Corner (1934) | Roy Webb | stock music composer | | [none] |
| Gridiron Flash (1934) | Alberto Colombo | composer | | |
| Gridiron Flash (1934) | Max Steiner | stock music composer | | [none] |
| Hat, Coat, and Glove (1934) | Max Steiner | stock music composer | | [none] |
| His Greatest Gamble (1934) | Max Steiner | stock music composer | | [none] |
| Murder on the Blackboard (1934) | Max Steiner | composer | | [none] |
| Murder on the Blackboard (1934) | Bernard Kaun | composer | | [none] |
| Sing and Like It (1934) | Max Steiner | composer | | [none] |
| The Informer (1935) | Max Steiner | composer | | [none] |
| Star of Midnight (1935) | Max Steiner | composer | | [none] |
| We're Only Human (1935) | Max Steiner | stock music composer | | [none] |
| Another Face (1935) | Bernhard Kaun | stock music composer | | [none] |
| Another Face (1935) | Max Steiner | stock music composer | | [none] |
| Don’t Turn ‘em Loose (1936) | Max Steiner | stock music composer | | [none] |
| Kid Galahad (1937) | Max Steiner | composer | | [none] |
| Kid Galahad (1937) | Heinz Roemheld | composer | | [none] |
| The Amazing Dr. Clitterhouse (1938) | Max Steiner | composer | | [none] |
| Angels With Dirty Faces (1938) | Max Steiner | composer | | [none] |
| Crime School (1938) | Max Steiner | composer | | [none] |
| They Made Me a Criminal (1939) | Max Steiner | composer | | [none] |
| Dust Be My Destiny (1939) | Max Steiner | composer | | [none] |
| Each Dawn I Die (1939) | Max Steiner | composer | | [none] |
| We Are Not Alone (1939) | Max Steiner | composer | | [none] |
| All This, and Heaven Too (1940) | Max Steiner | composer | | [none] |
| City for Conquest (1940) | Arthur Kennedy | Eddie Kenny | composer, musician, brother | Tone Poem A |
| City for Conquest (1940) | Max Steiner | composer | | [none] |
| City for Conquest (1940) | Ray Heindorf | composer | | [none] |
| The Letter (1940) | Max Steiner | composer | | [none] |
| Out of the Fog (1941) | Max Steiner | composer | | [none] |
| Out of the Fog (1941) | Heinz Roemheld | composer | | [none] |
| In This Our Life (1942) | Max Steiner | composer | | [none] |
| Arsenic and Old Lace (1944) | Max Steiner | composer | | [none] |
| Mildred Pierce (1945) | Max Steiner | composer | | [none] |
| The Big Sleep (1946) | Max Steiner | composer | | [none] |
| Her Kind of Man (1946) | Franz Waxman | composer | | [none] |
| Her Kind of Man (1946) | Max Steiner | composer | | [none] |
| Her Kind of Man (1946) | William Lava | composer | | [none] |
| Her Kind of Man (1946) | Adolph Deutsch | composer | | [none] |
| Deep Valley (1947) | Max Steiner | composer | | [none] |
| The Unfaithful (1947) | Max Steiner | composer | | [none] |
| Key Largo (1948) | Max Steiner | composer | | [none] |
| The Woman in White (1948) | Max Steiner | composer | | [none] |
| Beyond the Forest (1949) | Max Steiner | composer | | [none] |
| Flamingo Road (1949) | Max Steiner | composer | | [none] |
| White Heat (1949) | Max Steiner | composer | | [none] |
| Without Honor (1949) | Max Steiner | composer | | [none] |
| The Breaking Point (1950) | Max Steiner | composer | | [none] |
| The Breaking Point (1950) | Howard Jackson | composer | | [none] |
| Caged (1950) | Max Steiner | composer | | [none] |
| I Was a Communist for the FBI (1951) | Max Steiner | composer | | [none] |
| Hell on Frisco Bay (1955) | Max Steiner | composer | | [none] |
| Illegal (1955) | Max Steiner | composer | | [none] |
| Death of a Scoundrel (1956) | Max Steiner | composer | | [none] |
| The FBI Story (1959) | Max Steiner | composer | | [none] |