Dixiana (1930) | Harry Tierney | Composer | | [none] |
Half Shot at Sunrise (1930) | Harry Tierney | composer | | [none] |
Check and Double Check (1930) | Bert Kalmar | Composer | | [none] |
Check and Double Check (1930) | Harry Ruby | Composer | | [none] |
Check and Double Check (1930) | Duke Ellington | Himself / Composer | | [none] |
Are These Our Children? (1931) | Max Steiner | composer | | [none] |
Traveling Husbands (1931) | Max Steiner | composer | | [none] |
Cimarron (1931) | Max Steiner | Composer / Conductor | | [none] |
Cimarron (1931) | Gaston Borch | Composer | | [none] |
Caught Plastered (1931) | Victor Schertzinger | Composer | | [none] |
Secret Service (1931) | Max Steiner | Composer | | [none] |
The Public Defender (1931) | Max Steiner | composer | | [none] |
The Sin Ship (1931) | Roy Webb | Composer | | [none] |
The Woman Between (1931) | Victor Schertzinger | Composer | | [none] |
Transgression (1931) | Max Steiner | composer | | [none] |
Way Back Home (1931) | Max Steiner | Composer | | [none] |
Carnival Boat (1932) | Arthur Lange | Composer | | [none] |
Carnival Boat (1932) | Harold Lewis | Composer | | [none] |
Girl Crazy (1932) | George Gershwin | Composer | | [none] |
Girl of the Rio (1932) | Max Steiner | composer | | [none] |
Hell’s Highway (1932) | Clarence Muse | composer | | [none] |
Hell’s Highway (1932) | Max Steiner | composer | | [none] |
Hold ‘Em Jail (1932) | Max Steiner | stock music composer | | [none] |
Is My Face Red? (1932) | Max Steiner | composer | | [none] |
Lady With a Past (1932) | Roy Webb | Composer | | [none] |
Lady With a Past (1932) | Arthur Lange | Composer | | [none] |
Lady With a Past (1932) | Harold Lewis | Composer | | [none] |
Men of America (1932) | Max Steiner | composer | | [none] |
Renegades of the West (1932) | Arthur Lange | Composer | | [none] |
Renegades of the West (1932) | Bernie Grossman | Composer | | [none] |
Secrets of the French Police (1932) | Max Steiner | composer | | [none] |
State’s Attorney (1932) | Max Steiner | composer | | [none] |
The Age of Consent (1932) | Oscar Levant | Composer | | [none] |
The Half-Naked Truth (1932) | Harry Tierney | Composer | | [none] |
The Phantom of Crestwood (1932) | Max Steiner | stock music composer | | [none] |
The Phantom of Crestwood (1932) | Roy Webb | stock music composer | | [none] |
The Roadhouse Murder (1932) | Max Steiner | composer | | [none] |
The Sport Parade (1932) | Moses Ewing | Composer | | [none] |
The Sport Parade (1932) | Winsor Wilkinson | Composer | | [none] |
Thirteen Women (1932) | Max Steiner | composer | | [none] |
Westward Passage (1932) | Bernhard Kaun | Composer | | [none] |
Westward Passage (1932) | Harold Lewis | Composer | | [none] |
Westward Passage (1932) | Harry Tierney | Composer | | [none] |
Before Dawn (1933) | Max Steiner | composer | | [none] |
Blind Adventure (1933) | Roy Webb | composer | | [none] |
Blind Adventure (1933) | Max Steiner | composer | | [none] |
Emergency Call (1933) | Roy Webb | composer | | [none] |
Headline Shooter (1933) | Roy Webb | composer | | [none] |
Headline Shooter (1933) | Max Steiner | composer | | [none] |
The Life of Vergie Winters (1934) | Max Steiner | composer | | [none] |
Dangerous Corner (1934) | Roy Webb | stock music composer | | [none] |
Gridiron Flash (1934) | Alberto Colombo | composer | | |
Gridiron Flash (1934) | Max Steiner | stock music composer | | [none] |
Hat, Coat, and Glove (1934) | Max Steiner | stock music composer | | [none] |
His Greatest Gamble (1934) | Max Steiner | stock music composer | | [none] |
Murder on the Blackboard (1934) | Max Steiner | composer | | [none] |
Murder on the Blackboard (1934) | Bernard Kaun | composer | | [none] |
Sing and Like It (1934) | Max Steiner | composer | | [none] |
The Informer (1935) | Max Steiner | composer | | [none] |
Star of Midnight (1935) | Max Steiner | composer | | [none] |
We're Only Human (1935) | Max Steiner | stock music composer | | [none] |
Another Face (1935) | Bernhard Kaun | stock music composer | | [none] |
Another Face (1935) | Max Steiner | stock music composer | | [none] |
Don’t Turn ‘em Loose (1936) | Max Steiner | stock music composer | | [none] |
Kid Galahad (1937) | Max Steiner | composer | | [none] |
Kid Galahad (1937) | Heinz Roemheld | composer | | [none] |
The Amazing Dr. Clitterhouse (1938) | Max Steiner | composer | | [none] |
Angels With Dirty Faces (1938) | Max Steiner | composer | | [none] |
Crime School (1938) | Max Steiner | composer | | [none] |
They Made Me a Criminal (1939) | Max Steiner | composer | | [none] |
Dust Be My Destiny (1939) | Max Steiner | composer | | [none] |
Each Dawn I Die (1939) | Max Steiner | composer | | [none] |
We Are Not Alone (1939) | Max Steiner | composer | | [none] |
All This, and Heaven Too (1940) | Max Steiner | composer | | [none] |
City for Conquest (1940) | Arthur Kennedy | Eddie Kenny | composer, musician, brother | Tone Poem A |
City for Conquest (1940) | Max Steiner | composer | | [none] |
City for Conquest (1940) | Ray Heindorf | composer | | [none] |
The Letter (1940) | Max Steiner | composer | | [none] |
Out of the Fog (1941) | Max Steiner | composer | | [none] |
Out of the Fog (1941) | Heinz Roemheld | composer | | [none] |
In This Our Life (1942) | Max Steiner | composer | | [none] |
Arsenic and Old Lace (1944) | Max Steiner | composer | | [none] |
Mildred Pierce (1945) | Max Steiner | composer | | [none] |
The Big Sleep (1946) | Max Steiner | composer | | [none] |
Her Kind of Man (1946) | Franz Waxman | composer | | [none] |
Her Kind of Man (1946) | Max Steiner | composer | | [none] |
Her Kind of Man (1946) | William Lava | composer | | [none] |
Her Kind of Man (1946) | Adolph Deutsch | composer | | [none] |
Deep Valley (1947) | Max Steiner | composer | | [none] |
The Unfaithful (1947) | Max Steiner | composer | | [none] |
Key Largo (1948) | Max Steiner | composer | | [none] |
The Woman in White (1948) | Max Steiner | composer | | [none] |
Beyond the Forest (1949) | Max Steiner | composer | | [none] |
Flamingo Road (1949) | Max Steiner | composer | | [none] |
White Heat (1949) | Max Steiner | composer | | [none] |
Without Honor (1949) | Max Steiner | composer | | [none] |
The Breaking Point (1950) | Max Steiner | composer | | [none] |
The Breaking Point (1950) | Howard Jackson | composer | | [none] |
Caged (1950) | Max Steiner | composer | | [none] |
I Was a Communist for the FBI (1951) | Max Steiner | composer | | [none] |
Mara Maru (1952) | Max Steiner | composer | | [none] |
Hell on Frisco Bay (1955) | Max Steiner | composer | | [none] |
Illegal (1955) | Max Steiner | composer | | [none] |
Death of a Scoundrel (1956) | Max Steiner | composer | | [none] |
The FBI Story (1959) | Max Steiner | composer | | [none] |