| Description |
| Description: |
Over the sound of the train music, the Titus motif is heard as we see Field in the train car with his fiancée; he seems preoccupied with thoughts of Lane; the presence of the Titus motif, which rises in a chromatic sequence, suggests trouble in their relationship (caused by Titus); turbulent accents represent his conflicting emotions; the music disappears under a train whistle (which fades into the love theme) |
| On-screen: |
Field and Annabelle in a train car |
| Music annotations: |
[m. 85] cresc; [m. 88] ff; [m. 90] col |
| Orchestration annotations: |
[m. 82] violins / 1st horn etc / 2nd horn / celli; [m. 86] violins / 2 flts / 2 oboes / 2 horns + celli; [m. 88] hand cymbal / harps + piano; [m. 92] 1st horn + vibra |
| Analysis: |
Clashing ostinato continue under the Titus motif |
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| Tags |
combination of themes | dark | dramatic | fiancée | leading man | montage | montage | ostinato | self-borrowing | sequence | train | train | traveling
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Media |
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