| Description |
| Description: |
Both the Titus and Titus 2 themes are used in this uneasy sounding cue, where Lane comes in to confront Titus |
| On-screen: |
Lane confronts Titus |
| Music annotations: |
[m. 1] mf / f; [m. 2] sfz / cresc; [m. 4] mf; [m. 5] rubato / mf; [m. 6] mf / cresc |
| Film annotations: |
[m. 2] She stops |
| Orchestration annotations: |
[m. 1] basses / celli / (one trb) / W.W. / two pianos / W.W. / 2 horns / 2 trbs felt; [m. 4] 2 trbs (felts) / b'ssns / b clt / add piano; [m. 5] W.W. + piano; [m. 6] 2 trbs / strgs |
| Analysis: |
The Titus 2 theme is harmonized with seventh chords for the first time here but appears in short fragments of three chords only; the Titus motif is presented in various transformations: with an inverted opening leap in m. 3, in fragmented form in m. 4, in retrograde in m. 4-5, and with rhythmic augmentation in m. 5-6 |
|
| Tags |
arguing | climax | club | combination of themes | dark | fragmentation | inversion | leading lady | motivic transformation | mysterious | ominous | retrograde | self-borrowing | sheriff
|
Media |
Previous
