| Description |
| Description: |
This cue begins dark but slowly becomes warmer, leading up to a warm, gentle statement of the Flamingo Road theme as Lane goes to get a drink for Field - this indicates that she is thinking of her relationship with Dan; the last note of the phrase is rudely interrupted by a gunshot (perfectly timed!) |
| On-screen: |
Lane goes to get a drink for Field |
| Music annotations: |
[m. 31] andante / mp; [m. 33] mf / dolce / open / short arpeggio / accell; [m. 34] p / rall; [m. 35] tenderly / pp / mp; [m. 38] senza sordini |
| Film annotations: |
[m. 31] Looks down; [m. 33] She stops; [m. 38] Shot |
| Orchestration annotations: |
[m. 31] flt + celeste / harp / 3 muted horns soli / cue in 3 violas / celli / 2 bssns pp / 2 basses divisi; [m. 33] violins / cell; [m. 34] celli / clts / horns / viols; [m. 35] 2 bssns / cue clt and harp; [m. 37] add 2nd clt |
| Analysis: |
The first sonority is quite dissonant (a C triad over a Db triad over an Eb pedal); a passage of parallel major triads leads to C major; this cue is interrupted right before resolving to the tonic |
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| Tags |
altered dominant | chromatic parallelism | dark | death scene | gentle | gunshot | hopeful | leading lady | leading man | love interest | mode mixture | room | self-borrowing | suicide | walking | warm
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Media |
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