| Description |
| Description: |
Steiner deftly combines the Wedding March with the Lullaby theme in this wedding scene; the cue is played tenderly and slowly, with the camera moving back and forth between the actual wedding and Vergie picturing the wedding in her mind and smiling; the only markings for this in the manuscript are at the end of Reel 8 Part 1 (page 39), which provides the first 2 measures and the final 2 measures with some brief descriptions of what to play in between - however, only "Here Comes the Bride" is mentioned, nothing about combining it with the Lullaby |
| On-screen: |
Vergie imagines the wedding |
| Music annotations: |
[m. 1] f / in A major 84 bars as marked / last bar arpeggio and fade out / rall / fade out |
| Film annotations: |
[m. 1] The wedding |
| Orchestration annotations: |
[m. 1] This should be a string quintet with harp or piano only. 5 or 6 men at the most |
| Analysis: |
Steiner sketches out the beginning and ending of this cue on page 7 of Reel 8 Part I, but doesn't include any of the parts where the themes are combined, and the parts we have differ a bit from what is in the film |
|
| Tags |
added-note chord | bride | calm | chromatic mediant | combination of themes | common-chord modulation | daughter | double exposure | familiar tune | groom | leading lady | leading man | peaceful | secret lover | ternary form | transcribed by ear | walking | wedding | wedding | wedding music
|
Media |
Previous
